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A roller session is twenty minutes of actual shooting and about an hour door to door. I work around whatever else you have on. Sunrise is the slot most people avoid and it is also the best light of the day, empty roads and nobody around, so being busy from ten onwards costs you nothing.

Good. I have a lot of different options your current shooter may not be covering. Have a look through the packages and see if there is any coverage you would want to add on top of the footage you are already getting.

Every package lists its count and the counts do not move. Roller Session $200: rolling shots of 1 car, 1 vertical reel, 20 stills from the video. Cinematic $250: statics and details on 1 car, 1 vertical reel, 20 stills from the video, no rollers. Full Gallery $500: the full session on 1 car, 1 vertical reel, 20 stills from the video, exhaust audio included. Film $250: one roll of 35mm, every usable frame scanned.

Turnaround moves around. I am shooting back to back for four days and then driving ten hours home, and a roll of film sits with a lab I do not control. Rollers come back quickest, a full edit takes longest. If you need it by a particular date, tell me before you book and I will tell you honestly whether I can hit it.

Depends on the package. I do shoot real photo packages, and I also pull stills straight out of the 4K footage on the video ones. Both look right on a phone. Ask me which one fits what you are after and I will tell you straight.

Rain: we shoot anyway. It is outdoors either way and wet pavement usually looks better on camera than blue sky.

Moving your time: free, as long as you tell me in advance and the slot you want is still open. Message me and I will move you.

Cancelling: the deposit is not refundable. It is what stops a held slot from going empty on a weekend I only get once, and it comes straight off your balance if you do show. If something goes wrong on my end you get everything back, which has not happened yet.

Local to me in Georgia? You can reschedule to any date after the show instead.

Yes. You own what I deliver and you can use it however you want, including pitching sponsors, sending it to brands, or running it as a paid ad. Vendor and brand packages include commercial usage in writing on the invoice. I keep the right to post it on my own account and that is the only thing I hold back.

Yes, and it is cheaper that way. Each extra car in the same slot adds 25 percent of the package rather than another full price, so two cars on a Roller Session is $250 rather than $400. Exhaust audio stays $50 per car. Set the number of cars in the builder and the total works itself out.

Pick your package in the builder, pay a 50 percent deposit, then choose your day and time on the calendar that appears. The other half is already on the same invoice, due the day I shoot you.

Thursday the 24th through Sunday the 27th of September, all four days. Sunrise runs 6:15 to 7:45, sunset 5:15 to 6:45, night from 7:45. Short shoots fit any time between, and I am happy to go late if that is the look you want.

Yes, and it is $50 off when you do, so $200 instead of $250. Film is the only real photography I shoot myself, because a roll takes about ten minutes. Anything more than that and you want the dedicated photographer add on instead.

Anywhere from $100 to $300, depending on the package you booked. Bigger shoot, more footage to cut through. I keep everything, so you can order another edit now or months from now without booking a second shoot. Ask me and I will tell you exactly what yours would be.

If you booked rollers, a scenic road or the highway. If you booked a cinematic or photos without rollers, a single location. Book a bundle and you get both. Either way I hand pick the spot around your car, the time of day, and where the light will be.

Anywhere from 1 to 3 hours, depending on what you book.

Yes. I have shot as late as 3am at other events. If the light you want is neon, empty roads, or long exposures, late is often better.

No, this is pre booking only, and booking closes five days before the show. Before I drive up I am scouting locations and building a route around everyone confirmed, so I cannot add a shoot on site. The only exception is if I post an open slot on my story because something moved, and those go fast.

Send someone my way and have them put your Instagram handle in the referral box when they book. They get 10 percent off, you get 10 percent of what they spend. Cash or credit toward your own shoot, your pick. No cap and nothing to sign up for. Your handle is the code.

You get paid on their shoot day, once they have settled up with me. If they cancel or never show, you still get 10 percent of the deposit they paid, because you did your part either way.

Send me proof you referred them, a screenshot of the DM or text is all I need, then it goes out on Venmo, Cash App or PayPal.

I post in the order I shot. If you were the last shoot of the weekend, your post comes up last. Your files are yours as soon as they are delivered though, so post whenever you want. If you would rather do it as a collab post with me, that works too.

Give it a wash if you can and make sure everything you want featured is working, lights, exhaust, ride height. It is not mandatory. A clean car just means we spend the light on good shots instead of working around water spots.

There is a 15 to 30 minute window and then we work with whatever time is left. The days are booked back to back and the sun does not wait, so on a sunrise or sunset slot being late costs you the light you came for.